Creating Belonging: Advocacy, Agency, and Ambassadorship in the Performing Arts
In the post #MeToo and George Floyd eras, performing arts institutions in the United States are grappling with the tensions that exist between long-standing hierarchical frameworks and calls from artists to create more diverse, equitable, and collaborative spaces. Academic institutions face similar tensions yet have a greater degree of flexibility and a stronger mandate than their industry counterparts; institutions of higher learning, therefore, must play a pivotal role in leading the charge for a comprehensive and sustainable approach to instilling values of diversity, equity, inclusion, and belonging in the performing arts industry.
“Creating Belonging: Advocacy, Agency, and Ambassadorship in the Performing Arts” begins by outlining the historical background and contemporary perspective on the persistent, often deeply problematic hierarchies that allow for multiple and intersecting power imbalances within performing arts disciplines, by which women and people of color have been disproportionately impacted. The presentation defines contemporary, real-world challenges to be confronted, examines opportunities and solutions that arise from said confrontations, and offers a new paradigm for what it means to be a successful performing arts institution: one that embraces a collaborative approach, engages audiences by inviting them ‘in’ rather than ‘to’, and measures growth not just in audience numbers and balance sheets, but by societal impact.
To accomplish the work outlined above, performing arts programs within the academy have a responsibility to nurture young artists who not only are equipped with the requisite performance skills to enter a competitive industry, but who will enter said industry as capable, empowered, informed, thoughtful agents of change. It is no longer enough to do the difficult work of training competent - even outstanding - young artists. Academia must also develop young artists - particularly young women and artists of color - who know how to advocate for themselves, their work, and their fellow artists; are equipped with artistic agency sufficient to guide and inform their own work product; are aware of their responsibility as ambassadors for their specific disciplines, for the performing arts at large, and for how the performing arts can move society in positive ways.
Additionally, faculty working within the performing arts must be empowered to act as agents of change within their respective institutions, to be given the space to mentor students and young artists, particularly within relevant affinity groups, and to be diligent in fostering a symbiotic relationship between academia and industry. A strong argument exists for the cultivation of performing arts ‘laboratories’ within academic settings, where students and faculty are encouraged to experiment, fail, and build upon success; where audiences are invited in as active participants in the process of making art; and where industry stakeholders have an opportunity to connect with the values of their future constituency - practitioners and consumers alike.
Because women are among those minority groups that have most strongly experienced the negative repercussions of toxic hierarchies and power imbalances in the performing arts - and in academia - women are specifically positioned to emerge as leaders and primary collaborators in the work of dismantling existing power structures and fostering endemic change within academia and within the performing arts industry. “Creating Belonging: Advocacy, Agency, and Ambassadorship in the Performing Arts” offers a new paradigm for examining challenges, imagining solutions, and redefining success.